The younger generations in America may not remember “The Troubles,” a violent nationalist, religious and political conflict in Northern Ireland that lasted over 30 years and reverberated through England and mainland Europe. It was declared at an end on Good Friday of 1998 after a long and difficult negotiation led to an agreement between factions. The brave and complex process that led to the signing of this historical document is dramatized in Agreement, currently running at the JL Green Theatre in New York.
Senator George Mitchell (Richard Croxford) had been sent by then-President Bill Clinton to facilitate the proceedings. He described it as simultaneously juggling knives and balloons. For those unfamiliar with this historic event, the other participants in the room were:
Gerry Adams (Chris Corrigan): president of Sinn Féin, which was associated with the new Irish Republican Army
Bertie Ahern (Ronan Leahy): a Christian Conservative who served as the equivalent of Prime Minister of Ireland
Tony Blair (Martin Hutson): the newly elected and immensely popular British Prime Minister
John Hume (Dan Gordon): founder of the Social Democrats and Labour Party who won the Nobel Peace Prize
Mo Mowlam (Andrea Irvine): Secretary of State for Northern Ireland in Blair’s cabinet
David Trimble (Ruairi Conaghan): the leader of the Ulster Unionist Party who became the first leader of Northern Ireland
These introductions are covered in the first minutes of the play and characters frequently break the fourth wall to update the audience on their thinking and motivations. Most of the cast members don’t look much like their real-life counterparts nor do they attempt imitation. Rather they capture the essence of each person as seen through smiling Irish eyes. With the gruff plain spoken delivery of his first line, Chris Corrigan’s Adams gets a knowing chuckle from the audience. Dan Gordon’s John Hume, the realist of the group, delivers the clearest insider view. Martin Hutson plays Blair as a puffed up buffoon, high on his “mandate” stardom. As Ahern, Ronan Leahy wonderfully performs the highest wire act both emotionally and politically. The lone woman, Andrea Irvine has some of the same struggles as her opposite number, not given enough to do to fully define herself.
Director Charlotte Westenra could have done more to vary her actors’ approach to the text, but her straight-line approach does help audience members remember who stands where on the thorny issues. With the focus on playwright Owen McCafferty’s fiery exchanges of dialogue, the artistic craftwork is also kept to a minimum. The set by Conor Murphy centers on an overhead projection screen of a slowly shifting cloudy night sky. It also serves as a television monitor and timekeeper with videos designed by Eoin Robinson. Desks and chairs are continually rearranged by the players, more to provide variety than to establish any particular sense of place. May Tumelty turns up the heat and the lights at key moments, which are punctuated by the contributions of composer Kate Marlais.
It is significant that the work is simply called Agreement and not “The Good Friday Agreement” or even “*The* Agreement.” At a time when civil discourse and true negotiation seem impossible, the happenings portrayed are a refreshing reminder that informed and motivated people can find their way to a middle ground if they stay true to the greater good. Despite passionate disputes over critical areas, democratic principles held. Ah!
Agreement continues through May 12 at the newly christened JL Greene Theatre in the Irish Arts Center, 726 11th Avenue. The venue opened at the end of 2021 and boasts comfortable seats, a welcoming café, and a conversational staircase. The production comes to us from the Lyric Theatre of Belfast. Running time is 1 hour and 48 minutes with no intermission. Tickets are $25-$90 and can be purchased at https://irishartscenter.org/event/lyric-theatre-agreement.